Why is it that so much of what is written today in the victimhood genre strikes me and many others as parody?
One of the most notable examples of late is a screed in The Nation written by a person of color who describes how he has ensconced himself within a dense web of material and technological comforts while anticipating the day, the dreaded day, when he reluctantly will have to emerge from this cocoon to confront once again all the indignities of white society.
Incidentally, he refers to this cocoon as his “whiteness-free castle.”
Hell, forget the parody and consider for a moment the irony bound up in all of this. But then, I doubt that he perceives any irony at at all – the fact that virtually all of the contemporary comforts in which he has enveloped himself all these months were achieved by the very civilization that he so obviously despises.
It’s also worth mentioning that this writer also possesses a singular educational pedigree, having graduated with a B.A. and J.D. from the educational institution that most embodies historic whiteness: Harvard.
Well, let’s just hope that the screen door, invented in 1887 by an Iowan named Elizabeth C Harger, presumably of European extraction, and, for that matter, refined over the past century and mass produced and marketed within a global economic system regarded as one of many crowning achievements of Western civilization doesn’t hit him in the ass on his to way to his first post-covid outing.